Giorgio Benati: Langlais: Organ Music, Vol. 3 - COMPACT DISCS
Title: Langlais: Organ Music, Vol. 3
Artist: Giorgio Benati
Label: Brilliant Classics
Product Type: COMPACT DISCS
UPC: 5028421963624
Genre: Classical Artists
Release Date: 2026-01-09
Number of Discs: 5
Jean Langlais was born on February 15, 1907, in La Fontenelle, Brittany, France. He became blind from the age of two. Sent to the Paris National Institute for the Blind Youth in 1918, he studied piano, violin, harmony and organ with great blind teachers (among others Albert Mahaut and Andre Marchal). Later on, he entered the Paris National Conservatory of Music in the Marcel Dupre's organ class, obtaining a First Prize in 1930. In 1931, after studying improvisation with Charles Tournemire, he received the "Grand Prix d'Execution et Improvisation des Amis de l'Orgue". He completed his studies obtaining a Composition Prize in Paul Dukas' class at the Paris Conservatory in 1934.In 1945, he became the successor to Cesar Franck and Charles Tournemire at the prestigious organ tribune of Sainte-Clotilde in Paris. He gave countless concerts worldwide, and was a prolific composer. He died on May 8th, 1991 in Paris.Langlais' distinctive style combined traditional harmonies with contemporary techniques. His compositions often feature intricate organ textures and colourful harmonies, influenced by his background as a church musician. Langlais was also known for his use of modes and complex rhythms, which added to the unique character of his music. His works often have a strong emotional intensity and sense of drama, with frequent shifts in mood and dynamics.This is the third volume of the complete organ works includes sonatas, suites, Noels, the Symphony "Alla Webern", and many miscellaneous shorter works.Played by 3 excellent Italian organists: Giorgio Benati, Fausto Caporali and Alessandro Perin. The extensive booklet includes information on the organs used on this album.
Tracks:
1.1 Four Postlude-Postlude I
1.2 Four Postlude-Postlude II
1.3 Four Postlude-Postlude III
1.4 Four Postlude-Postlude IV
1.5 Five Meditations on the Apocalypse-I. He Who Has Ears Let Him Hear
1.6 Five Meditations on the Apocalypse-II. He Was, He Is and He Will Come
1.7 Five Meditations on the Apocalypse-III. Prophetic Visions
1.8 Five Meditations on the Apocalypse-IV. Oh Yes, Do Come Lord Jesus Christ
1.9 Five Meditations on the Apocalypse-V. Fifth Trumpet
1.10 Deuxième Symphonie "Alla Webern"-I. Prélude
1.11 Deuxième Symphonie "Alla Webern"-II. Lude
1.12 Deuxième Symphonie "Alla Webern"-III. Interlude
1.13 Deuxième Symphonie "Alla Webern"-IV. Postlude
1.14 Prélude on "Coronation"
2.1 Prélude Et Allegro-Prélude
2.2 Prélude Et Allegro-Allegro
2.3 In Memoriam
2.4 Sonate en Trio-Allegro Vivo
2.5 Sonate en Trio-Largo
2.6 Sonate en Trio-Final, Allegro
2.7 Contrastes-I. Glas
2.8 Contrastes-II. Allegretto
2.9 Contrastes-III. Kyrie
2.10 Contrastes-IV. Pièce de Concert
2.11 Prélude Et Fugue-Prélude
2.12 Prélude Et Fugue-Fugue
3.1 Suite Française-I. Prélude Sur Les Grands Jeux
3.2 Suite Française-II. Nazard
3.3 Suite Française-III. Contrepoint Sur Des Jeux D'anche
3.4 Suite Française-IV. Française
3.5 Suite Française-V. Choral Sur la Voix Humaine
3.6 Suite Française-VI. Arabesque Sur Les Flûtes
3.7 Suite Française-VII. Méditations Sur Les Jeux de Fonds
3.8 Suite Française-VIII. Trio
3.9 Suite Française-IX. Voix Céleste
3.10 Suite Française-X. Final Rhapsodique
3.11 Poèmes Évangéliques-I. L'annonciation
3.12 Poèmes Évangéliques-II. La Nativité
3.13 Poèmes Évangéliques-III. Les Rameaux
3.14 Suite Baroque-I. Plein Jeu
3.15 Suite Baroque-II. Trémolo en Taille
3.16 Suite Baroque-III. Dialogue
3.17 Suite Baroque-IV. Flûtes
3.18 Suite Baroque-V. Dialogues Entre Le Hautbois, Le Bourdon Et Le Nazard
3.19 Suite Baroque-VI. Voix Humaine
3.20 Suite Baroque-VII. Grand Jeu
4.1 8 Pièces Modales-No. 1 Mode of D
4.2 8 Pièces Modales-No. 2 Mode of a
4.3 8 Pièces Modales-No. 3 Mode of E
4.4 8 Pièces Modales-No. 4 Mode of B
4.5 8 Pièces Modales-No. 5 Mode of F
4.6 8 Pièces Modales-No. 6 Mode of C
4.7 8 Pièces Modales-No. 7 Mode of G
4.8 8 Pièces Modales-No. 8 Mode of G
4.9 Trois Paraphrases Grégoriennes-I. Mors Et Resurrectio
4.10 Trois Paraphrases Grégoriennes-II. Ave Maria, Ave Maris Stella
4.11 Trois Paraphrases Grégoriennes-III. Hymne D'actions de Grces
4.12 Noëls Avec Variations-Noël I, Thème Provençal
4.13 Noëls Avec Variations-Noël II, "Il Est NÉ Le Divin Enfant"
4.14 Noëls Avec Variations-Noël III, "Ihr Hirten, Erwacht" and "Noël Pour L'amour de Marie"
5.1 Moonlight Scherzo
5.2 B.A.C.H.-No. 1
5.3 B.A.C.H.-No. 2
5.4 B.A.C.H.-No. 3
5.5 B.A.C.H.-No. 4
5.6 B.A.C.H.-No. 5
5.7 B.A.C.H.-No. 6
5.8 Offrande À Marie (Offering to Mary)-I. Mater Admirabilis
5.9 Offrande À Marie (Offering to Mary)-II. Consolatrix Afflictorum
5.10 Offrande À Marie (Offering to Mary)-III. Regina Angelorum
5.11 Offrande À Marie (Offering to Mary)-IV. Regina Pacis
5.12 Offrande À Marie (Offering to Mary)-V. Mater Christi
5.13 Offrande À Marie (Offering to Mary)-VI. Maria Mater Gratiae
5.14 Trio
5.15 Essai (Trial)
Artist: Giorgio Benati
Label: Brilliant Classics
Product Type: COMPACT DISCS
UPC: 5028421963624
Genre: Classical Artists
Release Date: 2026-01-09
Number of Discs: 5
Jean Langlais was born on February 15, 1907, in La Fontenelle, Brittany, France. He became blind from the age of two. Sent to the Paris National Institute for the Blind Youth in 1918, he studied piano, violin, harmony and organ with great blind teachers (among others Albert Mahaut and Andre Marchal). Later on, he entered the Paris National Conservatory of Music in the Marcel Dupre's organ class, obtaining a First Prize in 1930. In 1931, after studying improvisation with Charles Tournemire, he received the "Grand Prix d'Execution et Improvisation des Amis de l'Orgue". He completed his studies obtaining a Composition Prize in Paul Dukas' class at the Paris Conservatory in 1934.In 1945, he became the successor to Cesar Franck and Charles Tournemire at the prestigious organ tribune of Sainte-Clotilde in Paris. He gave countless concerts worldwide, and was a prolific composer. He died on May 8th, 1991 in Paris.Langlais' distinctive style combined traditional harmonies with contemporary techniques. His compositions often feature intricate organ textures and colourful harmonies, influenced by his background as a church musician. Langlais was also known for his use of modes and complex rhythms, which added to the unique character of his music. His works often have a strong emotional intensity and sense of drama, with frequent shifts in mood and dynamics.This is the third volume of the complete organ works includes sonatas, suites, Noels, the Symphony "Alla Webern", and many miscellaneous shorter works.Played by 3 excellent Italian organists: Giorgio Benati, Fausto Caporali and Alessandro Perin. The extensive booklet includes information on the organs used on this album.
Tracks:
1.1 Four Postlude-Postlude I
1.2 Four Postlude-Postlude II
1.3 Four Postlude-Postlude III
1.4 Four Postlude-Postlude IV
1.5 Five Meditations on the Apocalypse-I. He Who Has Ears Let Him Hear
1.6 Five Meditations on the Apocalypse-II. He Was, He Is and He Will Come
1.7 Five Meditations on the Apocalypse-III. Prophetic Visions
1.8 Five Meditations on the Apocalypse-IV. Oh Yes, Do Come Lord Jesus Christ
1.9 Five Meditations on the Apocalypse-V. Fifth Trumpet
1.10 Deuxième Symphonie "Alla Webern"-I. Prélude
1.11 Deuxième Symphonie "Alla Webern"-II. Lude
1.12 Deuxième Symphonie "Alla Webern"-III. Interlude
1.13 Deuxième Symphonie "Alla Webern"-IV. Postlude
1.14 Prélude on "Coronation"
2.1 Prélude Et Allegro-Prélude
2.2 Prélude Et Allegro-Allegro
2.3 In Memoriam
2.4 Sonate en Trio-Allegro Vivo
2.5 Sonate en Trio-Largo
2.6 Sonate en Trio-Final, Allegro
2.7 Contrastes-I. Glas
2.8 Contrastes-II. Allegretto
2.9 Contrastes-III. Kyrie
2.10 Contrastes-IV. Pièce de Concert
2.11 Prélude Et Fugue-Prélude
2.12 Prélude Et Fugue-Fugue
3.1 Suite Française-I. Prélude Sur Les Grands Jeux
3.2 Suite Française-II. Nazard
3.3 Suite Française-III. Contrepoint Sur Des Jeux D'anche
3.4 Suite Française-IV. Française
3.5 Suite Française-V. Choral Sur la Voix Humaine
3.6 Suite Française-VI. Arabesque Sur Les Flûtes
3.7 Suite Française-VII. Méditations Sur Les Jeux de Fonds
3.8 Suite Française-VIII. Trio
3.9 Suite Française-IX. Voix Céleste
3.10 Suite Française-X. Final Rhapsodique
3.11 Poèmes Évangéliques-I. L'annonciation
3.12 Poèmes Évangéliques-II. La Nativité
3.13 Poèmes Évangéliques-III. Les Rameaux
3.14 Suite Baroque-I. Plein Jeu
3.15 Suite Baroque-II. Trémolo en Taille
3.16 Suite Baroque-III. Dialogue
3.17 Suite Baroque-IV. Flûtes
3.18 Suite Baroque-V. Dialogues Entre Le Hautbois, Le Bourdon Et Le Nazard
3.19 Suite Baroque-VI. Voix Humaine
3.20 Suite Baroque-VII. Grand Jeu
4.1 8 Pièces Modales-No. 1 Mode of D
4.2 8 Pièces Modales-No. 2 Mode of a
4.3 8 Pièces Modales-No. 3 Mode of E
4.4 8 Pièces Modales-No. 4 Mode of B
4.5 8 Pièces Modales-No. 5 Mode of F
4.6 8 Pièces Modales-No. 6 Mode of C
4.7 8 Pièces Modales-No. 7 Mode of G
4.8 8 Pièces Modales-No. 8 Mode of G
4.9 Trois Paraphrases Grégoriennes-I. Mors Et Resurrectio
4.10 Trois Paraphrases Grégoriennes-II. Ave Maria, Ave Maris Stella
4.11 Trois Paraphrases Grégoriennes-III. Hymne D'actions de Grces
4.12 Noëls Avec Variations-Noël I, Thème Provençal
4.13 Noëls Avec Variations-Noël II, "Il Est NÉ Le Divin Enfant"
4.14 Noëls Avec Variations-Noël III, "Ihr Hirten, Erwacht" and "Noël Pour L'amour de Marie"
5.1 Moonlight Scherzo
5.2 B.A.C.H.-No. 1
5.3 B.A.C.H.-No. 2
5.4 B.A.C.H.-No. 3
5.5 B.A.C.H.-No. 4
5.6 B.A.C.H.-No. 5
5.7 B.A.C.H.-No. 6
5.8 Offrande À Marie (Offering to Mary)-I. Mater Admirabilis
5.9 Offrande À Marie (Offering to Mary)-II. Consolatrix Afflictorum
5.10 Offrande À Marie (Offering to Mary)-III. Regina Angelorum
5.11 Offrande À Marie (Offering to Mary)-IV. Regina Pacis
5.12 Offrande À Marie (Offering to Mary)-V. Mater Christi
5.13 Offrande À Marie (Offering to Mary)-VI. Maria Mater Gratiae
5.14 Trio
5.15 Essai (Trial)
Title: Langlais: Organ Music, Vol. 3
Artist: Giorgio Benati
Label: Brilliant Classics
Product Type: COMPACT DISCS
UPC: 5028421963624
Genre: Classical Artists
Release Date: 2026-01-09
Number of Discs: 5
Jean Langlais was born on February 15, 1907, in La Fontenelle, Brittany, France. He became blind from the age of two. Sent to the Paris National Institute for the Blind Youth in 1918, he studied piano, violin, harmony and organ with great blind teachers (among others Albert Mahaut and Andre Marchal). Later on, he entered the Paris National Conservatory of Music in the Marcel Dupre's organ class, obtaining a First Prize in 1930. In 1931, after studying improvisation with Charles Tournemire, he received the "Grand Prix d'Execution et Improvisation des Amis de l'Orgue". He completed his studies obtaining a Composition Prize in Paul Dukas' class at the Paris Conservatory in 1934.In 1945, he became the successor to Cesar Franck and Charles Tournemire at the prestigious organ tribune of Sainte-Clotilde in Paris. He gave countless concerts worldwide, and was a prolific composer. He died on May 8th, 1991 in Paris.Langlais' distinctive style combined traditional harmonies with contemporary techniques. His compositions often feature intricate organ textures and colourful harmonies, influenced by his background as a church musician. Langlais was also known for his use of modes and complex rhythms, which added to the unique character of his music. His works often have a strong emotional intensity and sense of drama, with frequent shifts in mood and dynamics.This is the third volume of the complete organ works includes sonatas, suites, Noels, the Symphony "Alla Webern", and many miscellaneous shorter works.Played by 3 excellent Italian organists: Giorgio Benati, Fausto Caporali and Alessandro Perin. The extensive booklet includes information on the organs used on this album.
Tracks:
1.1 Four Postlude-Postlude I
1.2 Four Postlude-Postlude II
1.3 Four Postlude-Postlude III
1.4 Four Postlude-Postlude IV
1.5 Five Meditations on the Apocalypse-I. He Who Has Ears Let Him Hear
1.6 Five Meditations on the Apocalypse-II. He Was, He Is and He Will Come
1.7 Five Meditations on the Apocalypse-III. Prophetic Visions
1.8 Five Meditations on the Apocalypse-IV. Oh Yes, Do Come Lord Jesus Christ
1.9 Five Meditations on the Apocalypse-V. Fifth Trumpet
1.10 Deuxième Symphonie "Alla Webern"-I. Prélude
1.11 Deuxième Symphonie "Alla Webern"-II. Lude
1.12 Deuxième Symphonie "Alla Webern"-III. Interlude
1.13 Deuxième Symphonie "Alla Webern"-IV. Postlude
1.14 Prélude on "Coronation"
2.1 Prélude Et Allegro-Prélude
2.2 Prélude Et Allegro-Allegro
2.3 In Memoriam
2.4 Sonate en Trio-Allegro Vivo
2.5 Sonate en Trio-Largo
2.6 Sonate en Trio-Final, Allegro
2.7 Contrastes-I. Glas
2.8 Contrastes-II. Allegretto
2.9 Contrastes-III. Kyrie
2.10 Contrastes-IV. Pièce de Concert
2.11 Prélude Et Fugue-Prélude
2.12 Prélude Et Fugue-Fugue
3.1 Suite Française-I. Prélude Sur Les Grands Jeux
3.2 Suite Française-II. Nazard
3.3 Suite Française-III. Contrepoint Sur Des Jeux D'anche
3.4 Suite Française-IV. Française
3.5 Suite Française-V. Choral Sur la Voix Humaine
3.6 Suite Française-VI. Arabesque Sur Les Flûtes
3.7 Suite Française-VII. Méditations Sur Les Jeux de Fonds
3.8 Suite Française-VIII. Trio
3.9 Suite Française-IX. Voix Céleste
3.10 Suite Française-X. Final Rhapsodique
3.11 Poèmes Évangéliques-I. L'annonciation
3.12 Poèmes Évangéliques-II. La Nativité
3.13 Poèmes Évangéliques-III. Les Rameaux
3.14 Suite Baroque-I. Plein Jeu
3.15 Suite Baroque-II. Trémolo en Taille
3.16 Suite Baroque-III. Dialogue
3.17 Suite Baroque-IV. Flûtes
3.18 Suite Baroque-V. Dialogues Entre Le Hautbois, Le Bourdon Et Le Nazard
3.19 Suite Baroque-VI. Voix Humaine
3.20 Suite Baroque-VII. Grand Jeu
4.1 8 Pièces Modales-No. 1 Mode of D
4.2 8 Pièces Modales-No. 2 Mode of a
4.3 8 Pièces Modales-No. 3 Mode of E
4.4 8 Pièces Modales-No. 4 Mode of B
4.5 8 Pièces Modales-No. 5 Mode of F
4.6 8 Pièces Modales-No. 6 Mode of C
4.7 8 Pièces Modales-No. 7 Mode of G
4.8 8 Pièces Modales-No. 8 Mode of G
4.9 Trois Paraphrases Grégoriennes-I. Mors Et Resurrectio
4.10 Trois Paraphrases Grégoriennes-II. Ave Maria, Ave Maris Stella
4.11 Trois Paraphrases Grégoriennes-III. Hymne D'actions de Grces
4.12 Noëls Avec Variations-Noël I, Thème Provençal
4.13 Noëls Avec Variations-Noël II, "Il Est NÉ Le Divin Enfant"
4.14 Noëls Avec Variations-Noël III, "Ihr Hirten, Erwacht" and "Noël Pour L'amour de Marie"
5.1 Moonlight Scherzo
5.2 B.A.C.H.-No. 1
5.3 B.A.C.H.-No. 2
5.4 B.A.C.H.-No. 3
5.5 B.A.C.H.-No. 4
5.6 B.A.C.H.-No. 5
5.7 B.A.C.H.-No. 6
5.8 Offrande À Marie (Offering to Mary)-I. Mater Admirabilis
5.9 Offrande À Marie (Offering to Mary)-II. Consolatrix Afflictorum
5.10 Offrande À Marie (Offering to Mary)-III. Regina Angelorum
5.11 Offrande À Marie (Offering to Mary)-IV. Regina Pacis
5.12 Offrande À Marie (Offering to Mary)-V. Mater Christi
5.13 Offrande À Marie (Offering to Mary)-VI. Maria Mater Gratiae
5.14 Trio
5.15 Essai (Trial)
Artist: Giorgio Benati
Label: Brilliant Classics
Product Type: COMPACT DISCS
UPC: 5028421963624
Genre: Classical Artists
Release Date: 2026-01-09
Number of Discs: 5
Jean Langlais was born on February 15, 1907, in La Fontenelle, Brittany, France. He became blind from the age of two. Sent to the Paris National Institute for the Blind Youth in 1918, he studied piano, violin, harmony and organ with great blind teachers (among others Albert Mahaut and Andre Marchal). Later on, he entered the Paris National Conservatory of Music in the Marcel Dupre's organ class, obtaining a First Prize in 1930. In 1931, after studying improvisation with Charles Tournemire, he received the "Grand Prix d'Execution et Improvisation des Amis de l'Orgue". He completed his studies obtaining a Composition Prize in Paul Dukas' class at the Paris Conservatory in 1934.In 1945, he became the successor to Cesar Franck and Charles Tournemire at the prestigious organ tribune of Sainte-Clotilde in Paris. He gave countless concerts worldwide, and was a prolific composer. He died on May 8th, 1991 in Paris.Langlais' distinctive style combined traditional harmonies with contemporary techniques. His compositions often feature intricate organ textures and colourful harmonies, influenced by his background as a church musician. Langlais was also known for his use of modes and complex rhythms, which added to the unique character of his music. His works often have a strong emotional intensity and sense of drama, with frequent shifts in mood and dynamics.This is the third volume of the complete organ works includes sonatas, suites, Noels, the Symphony "Alla Webern", and many miscellaneous shorter works.Played by 3 excellent Italian organists: Giorgio Benati, Fausto Caporali and Alessandro Perin. The extensive booklet includes information on the organs used on this album.
Tracks:
1.1 Four Postlude-Postlude I
1.2 Four Postlude-Postlude II
1.3 Four Postlude-Postlude III
1.4 Four Postlude-Postlude IV
1.5 Five Meditations on the Apocalypse-I. He Who Has Ears Let Him Hear
1.6 Five Meditations on the Apocalypse-II. He Was, He Is and He Will Come
1.7 Five Meditations on the Apocalypse-III. Prophetic Visions
1.8 Five Meditations on the Apocalypse-IV. Oh Yes, Do Come Lord Jesus Christ
1.9 Five Meditations on the Apocalypse-V. Fifth Trumpet
1.10 Deuxième Symphonie "Alla Webern"-I. Prélude
1.11 Deuxième Symphonie "Alla Webern"-II. Lude
1.12 Deuxième Symphonie "Alla Webern"-III. Interlude
1.13 Deuxième Symphonie "Alla Webern"-IV. Postlude
1.14 Prélude on "Coronation"
2.1 Prélude Et Allegro-Prélude
2.2 Prélude Et Allegro-Allegro
2.3 In Memoriam
2.4 Sonate en Trio-Allegro Vivo
2.5 Sonate en Trio-Largo
2.6 Sonate en Trio-Final, Allegro
2.7 Contrastes-I. Glas
2.8 Contrastes-II. Allegretto
2.9 Contrastes-III. Kyrie
2.10 Contrastes-IV. Pièce de Concert
2.11 Prélude Et Fugue-Prélude
2.12 Prélude Et Fugue-Fugue
3.1 Suite Française-I. Prélude Sur Les Grands Jeux
3.2 Suite Française-II. Nazard
3.3 Suite Française-III. Contrepoint Sur Des Jeux D'anche
3.4 Suite Française-IV. Française
3.5 Suite Française-V. Choral Sur la Voix Humaine
3.6 Suite Française-VI. Arabesque Sur Les Flûtes
3.7 Suite Française-VII. Méditations Sur Les Jeux de Fonds
3.8 Suite Française-VIII. Trio
3.9 Suite Française-IX. Voix Céleste
3.10 Suite Française-X. Final Rhapsodique
3.11 Poèmes Évangéliques-I. L'annonciation
3.12 Poèmes Évangéliques-II. La Nativité
3.13 Poèmes Évangéliques-III. Les Rameaux
3.14 Suite Baroque-I. Plein Jeu
3.15 Suite Baroque-II. Trémolo en Taille
3.16 Suite Baroque-III. Dialogue
3.17 Suite Baroque-IV. Flûtes
3.18 Suite Baroque-V. Dialogues Entre Le Hautbois, Le Bourdon Et Le Nazard
3.19 Suite Baroque-VI. Voix Humaine
3.20 Suite Baroque-VII. Grand Jeu
4.1 8 Pièces Modales-No. 1 Mode of D
4.2 8 Pièces Modales-No. 2 Mode of a
4.3 8 Pièces Modales-No. 3 Mode of E
4.4 8 Pièces Modales-No. 4 Mode of B
4.5 8 Pièces Modales-No. 5 Mode of F
4.6 8 Pièces Modales-No. 6 Mode of C
4.7 8 Pièces Modales-No. 7 Mode of G
4.8 8 Pièces Modales-No. 8 Mode of G
4.9 Trois Paraphrases Grégoriennes-I. Mors Et Resurrectio
4.10 Trois Paraphrases Grégoriennes-II. Ave Maria, Ave Maris Stella
4.11 Trois Paraphrases Grégoriennes-III. Hymne D'actions de Grces
4.12 Noëls Avec Variations-Noël I, Thème Provençal
4.13 Noëls Avec Variations-Noël II, "Il Est NÉ Le Divin Enfant"
4.14 Noëls Avec Variations-Noël III, "Ihr Hirten, Erwacht" and "Noël Pour L'amour de Marie"
5.1 Moonlight Scherzo
5.2 B.A.C.H.-No. 1
5.3 B.A.C.H.-No. 2
5.4 B.A.C.H.-No. 3
5.5 B.A.C.H.-No. 4
5.6 B.A.C.H.-No. 5
5.7 B.A.C.H.-No. 6
5.8 Offrande À Marie (Offering to Mary)-I. Mater Admirabilis
5.9 Offrande À Marie (Offering to Mary)-II. Consolatrix Afflictorum
5.10 Offrande À Marie (Offering to Mary)-III. Regina Angelorum
5.11 Offrande À Marie (Offering to Mary)-IV. Regina Pacis
5.12 Offrande À Marie (Offering to Mary)-V. Mater Christi
5.13 Offrande À Marie (Offering to Mary)-VI. Maria Mater Gratiae
5.14 Trio
5.15 Essai (Trial)
$23.99
Giorgio Benati: Langlais: Organ Music, Vol. 3 - COMPACT DISCS—
$23.99
Description
Title: Langlais: Organ Music, Vol. 3
Artist: Giorgio Benati
Label: Brilliant Classics
Product Type: COMPACT DISCS
UPC: 5028421963624
Genre: Classical Artists
Release Date: 2026-01-09
Number of Discs: 5
Jean Langlais was born on February 15, 1907, in La Fontenelle, Brittany, France. He became blind from the age of two. Sent to the Paris National Institute for the Blind Youth in 1918, he studied piano, violin, harmony and organ with great blind teachers (among others Albert Mahaut and Andre Marchal). Later on, he entered the Paris National Conservatory of Music in the Marcel Dupre's organ class, obtaining a First Prize in 1930. In 1931, after studying improvisation with Charles Tournemire, he received the "Grand Prix d'Execution et Improvisation des Amis de l'Orgue". He completed his studies obtaining a Composition Prize in Paul Dukas' class at the Paris Conservatory in 1934.In 1945, he became the successor to Cesar Franck and Charles Tournemire at the prestigious organ tribune of Sainte-Clotilde in Paris. He gave countless concerts worldwide, and was a prolific composer. He died on May 8th, 1991 in Paris.Langlais' distinctive style combined traditional harmonies with contemporary techniques. His compositions often feature intricate organ textures and colourful harmonies, influenced by his background as a church musician. Langlais was also known for his use of modes and complex rhythms, which added to the unique character of his music. His works often have a strong emotional intensity and sense of drama, with frequent shifts in mood and dynamics.This is the third volume of the complete organ works includes sonatas, suites, Noels, the Symphony "Alla Webern", and many miscellaneous shorter works.Played by 3 excellent Italian organists: Giorgio Benati, Fausto Caporali and Alessandro Perin. The extensive booklet includes information on the organs used on this album.
Tracks:
1.1 Four Postlude-Postlude I
1.2 Four Postlude-Postlude II
1.3 Four Postlude-Postlude III
1.4 Four Postlude-Postlude IV
1.5 Five Meditations on the Apocalypse-I. He Who Has Ears Let Him Hear
1.6 Five Meditations on the Apocalypse-II. He Was, He Is and He Will Come
1.7 Five Meditations on the Apocalypse-III. Prophetic Visions
1.8 Five Meditations on the Apocalypse-IV. Oh Yes, Do Come Lord Jesus Christ
1.9 Five Meditations on the Apocalypse-V. Fifth Trumpet
1.10 Deuxième Symphonie "Alla Webern"-I. Prélude
1.11 Deuxième Symphonie "Alla Webern"-II. Lude
1.12 Deuxième Symphonie "Alla Webern"-III. Interlude
1.13 Deuxième Symphonie "Alla Webern"-IV. Postlude
1.14 Prélude on "Coronation"
2.1 Prélude Et Allegro-Prélude
2.2 Prélude Et Allegro-Allegro
2.3 In Memoriam
2.4 Sonate en Trio-Allegro Vivo
2.5 Sonate en Trio-Largo
2.6 Sonate en Trio-Final, Allegro
2.7 Contrastes-I. Glas
2.8 Contrastes-II. Allegretto
2.9 Contrastes-III. Kyrie
2.10 Contrastes-IV. Pièce de Concert
2.11 Prélude Et Fugue-Prélude
2.12 Prélude Et Fugue-Fugue
3.1 Suite Française-I. Prélude Sur Les Grands Jeux
3.2 Suite Française-II. Nazard
3.3 Suite Française-III. Contrepoint Sur Des Jeux D'anche
3.4 Suite Française-IV. Française
3.5 Suite Française-V. Choral Sur la Voix Humaine
3.6 Suite Française-VI. Arabesque Sur Les Flûtes
3.7 Suite Française-VII. Méditations Sur Les Jeux de Fonds
3.8 Suite Française-VIII. Trio
3.9 Suite Française-IX. Voix Céleste
3.10 Suite Française-X. Final Rhapsodique
3.11 Poèmes Évangéliques-I. L'annonciation
3.12 Poèmes Évangéliques-II. La Nativité
3.13 Poèmes Évangéliques-III. Les Rameaux
3.14 Suite Baroque-I. Plein Jeu
3.15 Suite Baroque-II. Trémolo en Taille
3.16 Suite Baroque-III. Dialogue
3.17 Suite Baroque-IV. Flûtes
3.18 Suite Baroque-V. Dialogues Entre Le Hautbois, Le Bourdon Et Le Nazard
3.19 Suite Baroque-VI. Voix Humaine
3.20 Suite Baroque-VII. Grand Jeu
4.1 8 Pièces Modales-No. 1 Mode of D
4.2 8 Pièces Modales-No. 2 Mode of a
4.3 8 Pièces Modales-No. 3 Mode of E
4.4 8 Pièces Modales-No. 4 Mode of B
4.5 8 Pièces Modales-No. 5 Mode of F
4.6 8 Pièces Modales-No. 6 Mode of C
4.7 8 Pièces Modales-No. 7 Mode of G
4.8 8 Pièces Modales-No. 8 Mode of G
4.9 Trois Paraphrases Grégoriennes-I. Mors Et Resurrectio
4.10 Trois Paraphrases Grégoriennes-II. Ave Maria, Ave Maris Stella
4.11 Trois Paraphrases Grégoriennes-III. Hymne D'actions de Grces
4.12 Noëls Avec Variations-Noël I, Thème Provençal
4.13 Noëls Avec Variations-Noël II, "Il Est NÉ Le Divin Enfant"
4.14 Noëls Avec Variations-Noël III, "Ihr Hirten, Erwacht" and "Noël Pour L'amour de Marie"
5.1 Moonlight Scherzo
5.2 B.A.C.H.-No. 1
5.3 B.A.C.H.-No. 2
5.4 B.A.C.H.-No. 3
5.5 B.A.C.H.-No. 4
5.6 B.A.C.H.-No. 5
5.7 B.A.C.H.-No. 6
5.8 Offrande À Marie (Offering to Mary)-I. Mater Admirabilis
5.9 Offrande À Marie (Offering to Mary)-II. Consolatrix Afflictorum
5.10 Offrande À Marie (Offering to Mary)-III. Regina Angelorum
5.11 Offrande À Marie (Offering to Mary)-IV. Regina Pacis
5.12 Offrande À Marie (Offering to Mary)-V. Mater Christi
5.13 Offrande À Marie (Offering to Mary)-VI. Maria Mater Gratiae
5.14 Trio
5.15 Essai (Trial)
Artist: Giorgio Benati
Label: Brilliant Classics
Product Type: COMPACT DISCS
UPC: 5028421963624
Genre: Classical Artists
Release Date: 2026-01-09
Number of Discs: 5
Jean Langlais was born on February 15, 1907, in La Fontenelle, Brittany, France. He became blind from the age of two. Sent to the Paris National Institute for the Blind Youth in 1918, he studied piano, violin, harmony and organ with great blind teachers (among others Albert Mahaut and Andre Marchal). Later on, he entered the Paris National Conservatory of Music in the Marcel Dupre's organ class, obtaining a First Prize in 1930. In 1931, after studying improvisation with Charles Tournemire, he received the "Grand Prix d'Execution et Improvisation des Amis de l'Orgue". He completed his studies obtaining a Composition Prize in Paul Dukas' class at the Paris Conservatory in 1934.In 1945, he became the successor to Cesar Franck and Charles Tournemire at the prestigious organ tribune of Sainte-Clotilde in Paris. He gave countless concerts worldwide, and was a prolific composer. He died on May 8th, 1991 in Paris.Langlais' distinctive style combined traditional harmonies with contemporary techniques. His compositions often feature intricate organ textures and colourful harmonies, influenced by his background as a church musician. Langlais was also known for his use of modes and complex rhythms, which added to the unique character of his music. His works often have a strong emotional intensity and sense of drama, with frequent shifts in mood and dynamics.This is the third volume of the complete organ works includes sonatas, suites, Noels, the Symphony "Alla Webern", and many miscellaneous shorter works.Played by 3 excellent Italian organists: Giorgio Benati, Fausto Caporali and Alessandro Perin. The extensive booklet includes information on the organs used on this album.
Tracks:
1.1 Four Postlude-Postlude I
1.2 Four Postlude-Postlude II
1.3 Four Postlude-Postlude III
1.4 Four Postlude-Postlude IV
1.5 Five Meditations on the Apocalypse-I. He Who Has Ears Let Him Hear
1.6 Five Meditations on the Apocalypse-II. He Was, He Is and He Will Come
1.7 Five Meditations on the Apocalypse-III. Prophetic Visions
1.8 Five Meditations on the Apocalypse-IV. Oh Yes, Do Come Lord Jesus Christ
1.9 Five Meditations on the Apocalypse-V. Fifth Trumpet
1.10 Deuxième Symphonie "Alla Webern"-I. Prélude
1.11 Deuxième Symphonie "Alla Webern"-II. Lude
1.12 Deuxième Symphonie "Alla Webern"-III. Interlude
1.13 Deuxième Symphonie "Alla Webern"-IV. Postlude
1.14 Prélude on "Coronation"
2.1 Prélude Et Allegro-Prélude
2.2 Prélude Et Allegro-Allegro
2.3 In Memoriam
2.4 Sonate en Trio-Allegro Vivo
2.5 Sonate en Trio-Largo
2.6 Sonate en Trio-Final, Allegro
2.7 Contrastes-I. Glas
2.8 Contrastes-II. Allegretto
2.9 Contrastes-III. Kyrie
2.10 Contrastes-IV. Pièce de Concert
2.11 Prélude Et Fugue-Prélude
2.12 Prélude Et Fugue-Fugue
3.1 Suite Française-I. Prélude Sur Les Grands Jeux
3.2 Suite Française-II. Nazard
3.3 Suite Française-III. Contrepoint Sur Des Jeux D'anche
3.4 Suite Française-IV. Française
3.5 Suite Française-V. Choral Sur la Voix Humaine
3.6 Suite Française-VI. Arabesque Sur Les Flûtes
3.7 Suite Française-VII. Méditations Sur Les Jeux de Fonds
3.8 Suite Française-VIII. Trio
3.9 Suite Française-IX. Voix Céleste
3.10 Suite Française-X. Final Rhapsodique
3.11 Poèmes Évangéliques-I. L'annonciation
3.12 Poèmes Évangéliques-II. La Nativité
3.13 Poèmes Évangéliques-III. Les Rameaux
3.14 Suite Baroque-I. Plein Jeu
3.15 Suite Baroque-II. Trémolo en Taille
3.16 Suite Baroque-III. Dialogue
3.17 Suite Baroque-IV. Flûtes
3.18 Suite Baroque-V. Dialogues Entre Le Hautbois, Le Bourdon Et Le Nazard
3.19 Suite Baroque-VI. Voix Humaine
3.20 Suite Baroque-VII. Grand Jeu
4.1 8 Pièces Modales-No. 1 Mode of D
4.2 8 Pièces Modales-No. 2 Mode of a
4.3 8 Pièces Modales-No. 3 Mode of E
4.4 8 Pièces Modales-No. 4 Mode of B
4.5 8 Pièces Modales-No. 5 Mode of F
4.6 8 Pièces Modales-No. 6 Mode of C
4.7 8 Pièces Modales-No. 7 Mode of G
4.8 8 Pièces Modales-No. 8 Mode of G
4.9 Trois Paraphrases Grégoriennes-I. Mors Et Resurrectio
4.10 Trois Paraphrases Grégoriennes-II. Ave Maria, Ave Maris Stella
4.11 Trois Paraphrases Grégoriennes-III. Hymne D'actions de Grces
4.12 Noëls Avec Variations-Noël I, Thème Provençal
4.13 Noëls Avec Variations-Noël II, "Il Est NÉ Le Divin Enfant"
4.14 Noëls Avec Variations-Noël III, "Ihr Hirten, Erwacht" and "Noël Pour L'amour de Marie"
5.1 Moonlight Scherzo
5.2 B.A.C.H.-No. 1
5.3 B.A.C.H.-No. 2
5.4 B.A.C.H.-No. 3
5.5 B.A.C.H.-No. 4
5.6 B.A.C.H.-No. 5
5.7 B.A.C.H.-No. 6
5.8 Offrande À Marie (Offering to Mary)-I. Mater Admirabilis
5.9 Offrande À Marie (Offering to Mary)-II. Consolatrix Afflictorum
5.10 Offrande À Marie (Offering to Mary)-III. Regina Angelorum
5.11 Offrande À Marie (Offering to Mary)-IV. Regina Pacis
5.12 Offrande À Marie (Offering to Mary)-V. Mater Christi
5.13 Offrande À Marie (Offering to Mary)-VI. Maria Mater Gratiae
5.14 Trio
5.15 Essai (Trial)
